Film reviews

The term “economic relocalization,” which has been around about four years, describes the global movement of loosely knit Transition Towns and other grassroots networks working to strengthen local and regional economies and systems of food and energy production. I myself was unacquainted with the term until I came across it in the promotional materials for the Economics of Happiness.

It’s a small story. These are all small stories. You might not know they are happening or take much notice of them. But if you were curious, you would discover how that lettuce came to be growing in such an unlikely neighbourhood; why everyone in the carnival was wearing clothes made of rubbish; why the elders of the village were teaching the young people to plough; why Joel Prittie, ex double-glazing salesman, knocked on 1100 doors in the rain in Manchester. If you pulled these stories together, you would notice they all had a common thread. That’s the moment you realise it’s a big story. The story in fact. The story of how people are coming together in the face of difficulties and making another kind of future.

That’s the story of Transition 2.0.

It is one thing to read about the fight over the environmental effects of hydraulic fracturing or fracking that are associated with natural gas drilling in deep shale formations. It's quite another to see that fight captured on film. The documentary film Gasland provides a compelling, if one-sided, portrait of the devastation visited on the lives of those who live closest to the drilling.

It's one thing to create a literal portrayal of civilization-destroying natural disasters on film. It's quite another to depict a character's inner psychological journey as the world moves closer and closer to cataclysm. Two recent films do just that and do it remarkably well.

And, as we're always saying here at Transition Voice, however compelling evidence may be in a white paper, chart, graph, or long lecture, if it doesn't succeed in communicating the problem and possible solutions to the problem in a way that engages people, it can end up being of little use except in obscure research or as a footnote somewhere. That's why we were excited to review a new documentary out of the UK, The Crisis of Civilization, by filmmaker Dean Puckett. In the trailer it looked like the newest, most accessible peak oil film since The End of Suburbia. And once we watched the film, we weren't disappointed.

In the 1990s, Richard J. Jackson had an epiphany while driving on the car-choked Buford Highway, on his way to his job at the Centers for Disease Control in Atlanta "I realized that the major threat was how we had built America," he says. Dr. Jackson, who is now a professor and chair of environmental health sciences at the University of California at Los Angeles's School of Public Health, has since become one of the leading voices calling for better urban design for the sake of good health.

What do you do when you are the heir to the Proctor and Gamble fortune and you have spent years surrounding yourself with new agey thinking and conspiracy theories? You make a film like "Thrive" the latest conspiracy theory movie that is popping up all over the place.

The film The Last Mountain has it all: a human story of ordinary citizens fighting a soulless and unaccountable coal corporation; an urgency as the last mountain in the Coal River Valley is eyed by Big Coal for surface mining; a history and context for the people's claim to the rights of the commons; activism in the form of petitioning the government as well as civil disobedience; the role of business, profit, labor and economy as labor power is eroded and corporate profits soar; the eco-system, heritage, and culture of the region; and a new way forward proposed by the people themselves. It's the best documentary I've seen on mountain top removal. But really, it's about so much more and has come together perfectly as a gestalt, a meme for our times.

The Last Mountain, June 2011, 95 minutes, Dada Films, Directed by Bill Haney.

“Transition towns, recycling, alternative power, enduring design; they are just attacking the symptoms. They are merely allowing us to continue living the way we are. They are buying us time. They are not embracing the root cause — our psychology.” Evolution and psychology explain our urge to consume, argues a new documentary film from the United Kingdom entitledConsumed — Inside the Belly of the Beast.

A new documentary, American Meat, is the first food documentary to really delve into how dependent our industrial food system is on fossil fuels. Using this vulnerability to help frame the discussion on the industrial versus the sustainable approach, director Graham Meriwether produces a film that helps make clear that in order to survive the decline in cheap energy, we need to ramp up our small scale sustainable farming efforts. He also focuses on the increasing profitability of such farms, and their ability to create more jobs.

Danish director Michael Madsen's 'Into Eternity' masterfully debunks industry claims that nuclear power is 'clean' energy. And its deadpan Nordic style and lush cinematography is hauntingly beautiful, creating a meditative mood on the deeply troubling topic of nuclear waste. English and Finnish with subtitles. 75 minutes.

In "Transcendent Man" it is a sadder than usual Ray Kurzweil who appears on the screen. The 2009 documentary film about Kurzweil, an acclaimed inventor and futurist, shows that the laws of entropy are at work on his body. He undergoes open heart surgery during the course of the film even as he continues to espouse the belief that technological developments over the next 30 years will make human immortality a reality.

The second half of the oil age will be very, very different from the first half. The first half was awash with cheap, easy-to-find and easy-to-produce oil and gas. The second half will be the story of expensive-to-produce hydrocarbons, from increasingly inaccessible places ... Unless we are able to break our addiction to hydrocarbons sooner rather than later, it will be a wretched and increasingly desperate time of squeezing fuel out of anything we can.

The film’s power lies in the sections voiced by ordinary people, the Chinese teenager talking about how he loves America because everyone is happy there, the two Detriot urban food growers standing by their vegetable beds, and the two Ladakhi women looking, bemused and upset, at the lonely residents of a London old peoples’ home.

Vancouver filmmaker Jon Cooksey's documentary film How to Boil a Frog showcases a unique talent for delivering bad news with a humorous twist. He also advocates that we bring our hearts, minds, and political activism to the table in order to push back against the corporate assault on our lives.