Pulcinella's escape
by Gianni Rodari
"One day or another," he confided to Arlecchino the Harlequin, "I'm going to cut my strings." And that's what he did, but it wasn't during the day. One night he'd gotten a hold of a pair of scissors that the puppet-master had left behind. One after the other, he cut the strings tied to his head, his hands and his feet. He said to Arlecchino: "Come along with me." But Arlecchino wouldn't even hear of being separated from his beloved Colombina. And Pulcinella had no intention of taking along that flirt Colombina who had played a hundred thousand tricks on him in the theater. "I'll go alone then," he decided. He jumped courageously to the ground and away he went, legs flying.
For a marionette all by himself, the world is a big and scary place. It's inhabited -- especially at night -- by ferocious cats who assume that anything scurrying around is a mouse to chase. Pulcinella was able to convince the cats that they were dealing with a true artist. But in any case he took refuge in a garden. He lay down next to a low wall and fell asleep. When the sun rose, he awoke and was hungry. But around him, as far as the eye could see, there were nothing but carnations, zinnias and hydrangeas.
Winter came and the garden withered. The poor marionette had nothing left to eat. Don't say that he should have gone on with his trip: his poor legs were so weak they could no longer take him far. "Never mind," said Pulcinella to himself. "I will die here. It's not a bad place to die. What's more, I'll die free: no one can tie a string to my head to make me say yes or no." The first snow buried him under a soft white blanket. When spring came, a carnation grew where he had lain. Under the ground, calm and contented, Pulcinella was thinking, "Look! Above my head a flower has grown. Could anyone be happier then I?" But he wasn't dead, because wooden marionettes never die. He's still there under the ground, no one knows where. If it's you who find him, please don't tie a string to his head. The kings and queens of the theater may not mind the strings, but Pulcinella -- he can't abide them.
Editorial NotesSomething for free spirits on the Labor Day weekend. Pulcinella ("Punch" in English), Arlecchino ("Harlequin") and Columbina ("Columbine") are stock characters in the traditional Italian Commedia dell'arte. They are often depicted as marionettes. Gianni Rodari (1920-1980) is ""considered by many to be Italy's most important twentieth-century children's author." (Wiki). Sadly, he doesn't seem to have caught on in the English-speaking world. When I was learning Italian, a family in Lucca gave me a copy of his "Favole al telefono" (Fairy tales by telephone), in which this fable appears. I was entranced. Rodari's language is simple enough for intermediate Italian students, but as you can see from this selection, he packs a punch. The Italian version of Favole al telefono is online. Another fable translated into English: Giacomo-of-Crystal. Photos are via Wiki Commons. Photo of Pulcinella postage stamp Photo of Columbina and Arlecchino Photo of Pulcinella statua Photo of actor in Pulcinella costume -BA |
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